A Letter to our Readers

AH reaches over 1,000 subscriptions!
—JL II.
❌⭕️❌⭕️👠___✍🏻

#Aesthetarchon

To all those actively supporting Archive Humanitas, users connected via WordPress, Facebook, Instagram, Twitter, etc.,—your philosophico-archivists—Thank you for helping us reach our first 1,000 followers!

AH is in its infancy—and yet, there is so much we can’t wait to share…

• Upcoming Blog Series: Mad-Love Monochrome. #1 will include an interview with LA Historian Kim Cooper.

• May 11th. Carolyn Thompson’s Exhibition: After | Burroughs: Syntax.

• The release of our Journal Mad-Bionic-Writing-Machine. Vol. I.

Sincerely,

Lead Writer/Admin. Jeffrey Lucas II & Editor/Admin. Alvin Mayorga

AFTER | Burroughs: SYNTAX

Exhibition—May 11th

An Exhibition

C O M I N G S O O N !

Guest Artist | Carolyn Thompson


This season’s showcase is based on the 50 texts found in the Penguin Modern Box Set (2018), which celebrates the pioneering spirit of Penguin’s publishing and includes seminal works by Kathy Acker, Samuel Beckett, William Burroughs, Truman Capote, Allen Ginsberg, Audre Lorde, Vladamir Nabokov and Susan Sontag, amongst others. An exhibition of the full 50 works will take place in September at Laurence Sterne Trust and at the Eagle Gallery, London, in 2020.



After Burroughs: Syntax is a typewritten text that foregrounds inscription, laying bare the punctuation marks found in William S.Burroughs’ The Finger. The marks appear in the original order, but are evenly spaced. The marks show duration both through process, and in the number of breaths and/or actions of the characters that they depict, and refer to the fleetingness of the relationships or meetings throughout the stories and the often temperamental nature of their characters.
7 pages each 11cm x 16cm
2019, typewritten text on book leaves


Bio

Carolyn Thompson (born 1976) is a visual artist living and working in the UK. Her research and practice are grounded in the materiality of printed matter, both as an object and as a medium. Using books, found texts, images and documents as source material she explores the content or narrative of such matter through manipulation and appropriation, and develops it into new renderings, in order to alter meaning and understanding of the information at its most fundamental level. The resulting adaptations are visual and textual versions in the form of altered books, drawings, prints, collages, embroideries and/or installations. Beyond the UK she has exhibited in Istanbul, Ljubljana, Melbourne, New York, Porto, Prague, Venice and Vienna. https://www.carolynthompson.co.uk


Carolyn Thompson. In association with Eagle Gallery EMH Arts, London. http://www.emmahilleagle.com


The Matrix and the Individualist-Politically-Correct Machine

Alvin Mayorga


There is no mind-body problem. There is no such thing as a brain in a vat. There is no solipsism. No Platonism. No such thing as an autonomous-transcendental “mind” that, a priori, distinctly supplies the final narrative of some-things it calls “objects” and their role in a larger story, i.e., “reality,” which it reads as a reflected image emanating from its “outside.” We do not live in an illusory realm. Metaphysics is a joke. Epistemology is laughable. Cartesian doubt is an outdated bore. It is time we discard this nonsense for good!


Thinking about the film “The Matrix” can be very exciting, fascinating, and illuminating if one does not contaminate it with the mind-body problem or with Cartesian dualism, which unfortunately, is precisely what is done by many philosophers since the film was released. 

The Matrix is not about the mind-body problem, it is rather about the realization that there is in fact a reality that is certain, but one which is being covered up by something or someone. Morpheus himself tells us: “the Matrix is the world that has been pulled over your eyes to blind you from the truth”. This truthof which he speaks is precisely how the World is; it is common sense reality, it is common sense certainty, and it is the social norm which permeates our existence.

The Matrix covers up this reality, this common-sensecertainty, and provides its alternative vision of the world which it passes for “truth”. Yet, this “vision” or “illusion” is merely a blindfold that is only possible precisely because there is in fact a real World in the first place; a real World that is somehow now a threat to it. The Matrix represents control and misinformation. 

Today, I see a Matrix. I see the manipulation and control of the politically-correct machine. I see the exacerbated, sick—anti-norm and anti-common sense—individualism that is a threat to our very existence as the beings that we are: the individualist-politically-correct liberal machine is busy at work! And it never rests. Its “blindfold” is trying to cover up reality; trying to cover up who and how we are.

Being is forsaken. We are meant to see the norm which permeates our Being as a threat. The World is overlooked and obscured. The World: social and biological construction, the norm that structures our Being and which shapes our identity, and the socially meaningful organized referential-whole on the basis of which entities like us make our existence intelligible. The common-sense notion of the World and the importance of the social norm are being covered up.

The individualist-politically-correct machine attempts to make us resent the absurdity of existence and the paradoxically harsh, yet beautiful, reality of our everyday lives. The possibility of authenticity and the aesthetic expression by which we can create our individual essences is blocked from view. Instead, now we have a ridiculous individualist spectacle that somehowhas been presented as being more important than the vital influence of the social norm and more important than our biological construction that together shape our behavior and society itself. The individualist-politically-correct machine tells us: “you can do whatever the f*** you want, you can be whatever the f*** you want… challenge your oppressors!”

It does this while it itself is the very embodiment of control, oppression, misinformation, and ultimately…destruction, i.e. the destruction of Being! 

Nonetheless, the resistance is here! Ready to overcome Cartesian dualism. Ready to fight the individualist-politically-correct machine. Ready to uphold Being and the art of existing as the beings which we are. Ready to defend reality!


We are not minds, we are not subjects, and we do not have a multiple self. Primarily, we are, and subsequently, we think! Cartesianism is flawed! Ontological pluralism is fundamentally wrong! We have a unified self which is unfolding through time: the past is our historical development, our present the undertaking of history, and the future what we cannot help but mutually create. We do not first start as individual subjects set apart from society as if society were somehow alien and a threat to us, but rather, we are society! The individualist-politically-correct machine wants to make us all feel like oppressed victims—but guess what?! We are all both victims and victimizers. We are all the oppressed and the oppressors! We are the norm. We are society. We are reality. Common sense beckons us…and we ought to heed the call.

March 2019

What is Writing? (ANS8675309)

Prose in typecast.
*AH publishes original typewritten manuscripts.
Submit!

J. Lucas II. a.k.a. Aesthetarchon


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